Panto in a sentence | Use of the word panto examples

And we would miss seeing the panto at Christmas.” “But more than anything else, we would miss the British people — our friends across the Channel,” they said.

Perhaps the American take on Bowie is more conventionally rock than England’s fond conception of him as space age panto dame.

Limbo, panto was more tongue-in-cheek and bawdy, whereas, on the next record, it was more emotive and took a darker turn.

Limbo, panto for the most part is more lighthearted and more fun than its children.

I think if Limbo, panto had been a Smiths record, this one was Van Halen.

This album came out only 14 months after Limbo, panto.

We learned so much making Limbo, panto that by the time we finished we were ready to make another one.

Limbo panto, released in 2008 when I was 16, was the unruly soundtrack to my first cracked tins of lager in parks, drives around low-lying suburbia, and virgin attempts at squeezing into checked shirts and palatial city nightclubs.

Meanwhile, the audience was left to suffer at the hands of the mind numbing warm-up act, who larked about in the arena telling shit jokes and throwing around Haribo like the second-rate panto performer he probably is.

Witness the slapstick panto when Sakho was injured, the day after that show aired.

On hearing my English accent he launches into a British impersonation of his own, sounding somewhere between a Dickensian orphan and Danny Dyer in panto, “Yeah-you-know-wot-I-mean?

Bruno, who by that time had started doing panto and television work, was also called an ‘Uncle Tom’ by his opponent, with the racial tensions of the fight bleeding through as a predominantly white commentariat egged the fighters on.

“Jimmy loved being a part of the Hippodrome’s well-renowned panto, and his portrayal of Captain Hook was both dastardly and heartwarming,” she continued.

Dr. Bev panto, a wildlife vet at the centre, was quoted in a press release sent to Mashable as saying that she thought the jackdaw had absolutely no chance of survival.

And we would miss seeing the panto at Christmas.” “But more than anything else, we would miss the British people — our friends across the Channel,” they said.

It’s hard for Sal panto, the Democratic mayor of Easton, to disagree.

“Bernie Sanders is so far left of our party,” panto said of the current Democratic frontrunner.

“The area has gotten more anti-Trump, because of his antics,” says panto.

panto said there’s a benefit for his party in letting the President damage himself.

“The more he is out in public, the better it is for Democrats,” panto said.

And we would miss seeing the panto at Christmas.” “But more than anything else, we would miss the British people — our friends across the Channel,” they said.

It’s panto – and it’s glorious.

While living on Grace Court, Miller took long walks over the Brooklyn Bridge and under it, to the working docks where he noticed graffiti that said, “Dove Pete panto,” Italian for “Where Is Pete panto?” “It was down near the piers that this mysterious question covered every surface,” he wrote in “Timebends,” adding, “it was not hard to guess that it was still more evidence of the other world that existed at the foot of peaceful, old-fashioned Brooklyn Heights, the sinister waterfront world of gangster-ridden unions, assassinations, beatings, bodies thrown into the lovely bay at night.” Mr. panto had been battling the International Longshoremen’s Association, and disappeared, his body eventually turning up in New Jersey.

Miller read about Mr. panto’s case in the press and tried talking to the longies, or longshoremen, on Columbia Street in Red Hook to write a screenplay.

From his waterfront research, Miller wrote “The Hook,” a screenplay based on Mr. panto’s life, which he pitched in Hollywood with Elia Kazan in 1951.

JACK AND THE BEANSTALK panto Julie Atlas Muz and Mat Fraser (“American Horror Story”), the boundary-busting, activist performance artists who presented the well-received “Beauty and the Beast” at the Abrons Arts Center in 2014, return to their artistic home — and the scene of their 2012 marriage — with another offbeat creation.

The new Off Broadway show “Jack and the Beanstalk,” presented at the Abrons Arts Center, may help rectify the situation regarding panto, a vaudeville-derived, proudly lowbrow genre that happily endorses an anything-goes approach.

As Silly Simon, Matt Roper (Chico in last year’s revival of the Marx Brothers Broadway show “I’ll Say She Is”) acts as our guide to both the plot and the wacky world of panto, helping the audience figure out what to say and when.

Fine, Britain, you win: We will have panto.

But there’s nothing conventional about this theatrical version, which draws on the British tradition of panto, an art form far more closely related to vaudeville than to mime.

Matt Wolf, in a review for The New York Times, said that “& Juliet” made very little plot go a long way, before adding: “I confess to hardly being the preferred demographic for a show that clearly wants to rival the Broadway-bound ‘Six’ in the pop-anthem sweepstakes.” “It’s essentially glorified panto,” wrote Dominic Cavendish wrote in The Daily Telegraph, referring to the campy British theater spectacles that popular around Christmastime.

“Whether it outlasts the panto season, that is the question,” he added.

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