Mastaba in a sentence | Use of the word mastaba examples

I have even seen the forthcoming “mastaba” in Abu Dhabi, because it exists as proposal drawings and maquettes.

Or you may want to argue that victims in cities commonly visited by American elites (Paris, Brussels, London, Madrid) are somehow more newsworthy than those in places rarely visited (mastaba, in Yemen’s northern province of Hajjah).

Christo’s giant floating sculpture, “The London mastaba,” sits on the Serpentine Lake in Hyde Park as tourists on paddle boats circle around.

Advertise on Hyperallergic with Nectar Ads LONDON — In one sense, “The London mastaba,” a temporary floating sculpture by Christo newly installed in Hyde Park’s Serpentine Lake, is about nothing.

For “The London mastaba,” Christo is renting the Serpentine water from The Royal Parks and contributing to the upkeep of the grounds.

As detailed in Christo & Jeanne-Claude: Barrels and The mastaba 1958–2018, the accompanying exhibition showing Christo’s preparatory drawings for the pair’s creations (which offers a fascinating insight into their working methods), “The London mastaba” returns to some of Christo and Jeanne-Claude’s earlier work intervening in public spaces using oil barrels.

mastaba,” from the Arabic name for a bench, often of stone, relates to ancient Egyptian tombs.

So what of the experience of the “mastaba?” Its brilliant mauve, blue, and red colors contrast starkly with the green summer grass and foliage of the parks, some would say distastefully so.

Christo & Jeanne-Claude: Barrels and The mastaba 1958–2018 and Christo & Jeanne-Claude: The London mastaba are on view at the Serpentine Gallery and Serpentine Lake, Hyde Park until September 23.

“The conditions for getting it,” Kemp stated, “were that Tatiana Kustodieva [the Hermitage curator] would catalogue it.” Construction began on Christo’s monumental sculpture “The mastaba (Project for London, Hyde Park, Serpentine Lake)” (2018).

In the announcement on the “Over the River” website, Christo explained that he had grown tired of waiting for the project to be approved and wanted to focus on another project, “The mastaba,” which he and Jeanne-Claude first conceived in 1977 and, if completed near Abu Dhabi in the United Arab Emirates as planned, would be the largest sculpture in the world.

In March, an airstrike led by Saudi-coalition forces on a market in mastaba killed an estimated 119 people, and involved weaponry supplied by the U.S., according to Human Rights Watch.

Investigators from HRW visited the site of the attack in the northwestern village of mastaba on March 28, where they spoke with witnesses and injured victims collected weapon fragments.

Investigators from HRW visited the site of the attack in the northwestern village of mastaba on March 28, where they spoke with witnesses and injured victims collected weapon fragments.

Two nearby compounds previously used by Houthi fighters were bombed last summer and were abandoned when the team traveled to mastaba.

“I have to do something fast before I die.” Christo has two other projects in the works: Over the River envisions silvery panels of fabric suspended over the Arkansas River, and The mastaba will be a gigantic sculpture made of 410,000 multi-colored barrels that towers over the Abu Dhabi desert.

Saturday’s attack comes after a Saudi-led coalition March 15 airstrike on a market in Yemen’s northwestern city of mastaba that killed at least 119 people.

It says: “On 15 March 2016, the Coalition committed to investigating an attack on the marketplace in mastaba, Haijah province,” but does not mention that this attack killed over 100 people.

Human Rights Watch has reported that two Saudi strikes on a market in the Yemeni village of mastaba in mid-March killed at least 97 civilians, including 25 children.

The group said it had found fragments of two American-made bombs at the market, in the northern district of mastaba, linking the United States for the first time to the March 15 airstrikes, which were believed to be the deadliest coalition bombings during Yemen’s yearlong civil war.

In a report released last week, Human Rights Watch said fragments of two American-made bombs were found in the wreckage of a coalition airstrike on crowded market in the northern district of mastaba last month in which 97 civilians, including 25 children, were killed.

He designed a Texas mastaba in 1975, for example, and is devising plans to build a permanent one in Abu Dhabi, which he says will be the largest art structure in the world.

Standing about 65 feet tall and weighing 500 tons, the mastaba will be anchored to one spot but will still bob up and down.

“You have this incredible vegetation and open area.” The mastaba will use 50 times fewer barrels than the planned Abu Dhabi version; while that one will primarily be orange, the British mastaba will take on the colors of its country’s flag — blue, red and white — as well as purple.

“The London mastaba,” Christo’s first major outdoor work in Britain, is now floating (through Sept. 23) in the middle of the lake in Hyde Park.

Named after a flat-roofed structure with sloping sides that originated some 6,000 years ago in Mesopotamia (the word “mastaba” means “bench” in Arabic), it’s a test for a mastaba roughly eight times as high that Christo hopes to put up in the desert in Abu Dhabi.

“There is a way to do it, and it’s not impossible.” He said the important thing was to “do it simply” and to “do it quickly, too: It needs to go in, be there, and then go out.” Mr. Yavachev — who started working with his uncle in 1991, when he was tasked with carrying the site photographer’s camera bag — said they had regular arguments nowadays, but that it was “actually easier to work with your family, because you can scream at your boss.” “The London mastaba” rests on a floating platform that’s anchored to the lake bed.

The mastaba is part of the summer program of the Serpentine Galleries, and it’s paired with an exhibition of sculptures, drawings and collages focusing on Christo’s work with barrels and with the mastaba shape.

On a walk through Hyde Park, he “pointed at the very site where the sculpture is going to be,” Mr. Obrist said, recalling the artist’s determination to put up a floating mastaba, “a form that has obsessed him for a long time.” Christo denied that his pharaonic projects were signs of an oversized ego.

“The London mastaba” faced no such obstacles, and Christo’s team said the installation went through smoothly.

Roksanda’s collection is beautiful, and it’s so great to be on the other side for a change!” “After the show, I went to see ‘The London mastaba,’ a floating sculpture on the Serpentine Lake by the artist Christo.” “Next stop is a visit to the Rug Company to celebrate the launch of my second collection with them.” “We hosted a dinner to honor the new rug designs, at the Rug Company’s King’s Road showroom, with a mix of friends from the fashion and interiors worlds.” “Whenever I’m in London, I do a lot of research.

Responsible for monumental installations like London’s “mastaba” (2018) floating in Hyde Park and Central Park’s critically acclaimed “The Gates” (2005), the artist-couple would spend decades fund-raising for a single project by selling smaller drawings and paintings.

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